Our Workshop
Anna Tsing asks in The Mushroom at the End of the World (2016):
“Can I show landscape as the protagonist of an adventure in which humans are only one kind of participant?"
In our workshop we explore this question by enacting other ways of moving, responding and relating to each other and to the nonhuman beings that make up our world. We call this embodied storying and employ it as a first step in creating more-than-human characters.